Wednesday, July 23, 2014

The Twisted Confessions and Atramentous Musings of A "Broke" Writer (The Gatekeepers)






I'm honestly not sure why I continue to write this. I mean when I write about sports or movies and surprisingly racism, tons of people read my blog. Judging by the numbers from this "riveting and long running series" I'd say the only people who actually read these things are me, myself only to make corrections to my atrocious grammar, and my mother because she's supports anything I do and because well, she's my mother and she supports anything I do. Thanks for reading this mom because I know you are.

Anyway, I write these pieces for three reasons. One, to give all the people that say my job is so "glamorous" a look behind the "proverbial" velvet rope. (Frankly it isn't that glamorous. Well I got to meet Cuba Gooding Jr. and Turtle from Entourage yesterday as of the original posting so this doesn't suck all the time) Two, to give advice to friends looking to get into the business and/or give advice to friends already in the business. And three, and mostly, to get my thoughts out because God forbid I'm stuck alone with them.

A couple of months back I got a chance to be in a writer's room and it was easily the greatest job I've ever had. It took all of three seconds on my first day there to confirm that this, writing for film/TV, is what I wanted to do for the rest of my life. Monday through Friday for about three months, I got to sit in an office, watch six guys  talk shit, tell jokes in funny voices and laugh my ass off. Really? This was work? I was hooked.
Group photo of the writer's room as drawn by Jordan.

One of my weekly tasks as the writer's PA included picking up and mailing out our writer's room payroll. It came sealed in a large manila envelope and was filled with all the checks. The checks were separated by writers and everyone else. Each group of checks had an expense sheet paper clipped to it that detailed, down to the last cent I might add, what each group was making. Since it was my job, it wasn't like I had to snoop to figure out what these guys made. (Now I won't reveal the exact figures because I feel like giving you that much detail would be kind of unprofessional and there's really no need to know the number but I will say this... it was big.)

Myself and the writer's assistant made practically nothing. Seriously for the amount of hours we were putting in we really weren't getting paid enough, but then again we were getting paid to sit in a room for 12 hours and watch six guys dick around so it's still not bad work if you can get it. But what the six writers made combined was so massive, I became physically ill after I saw it for the first time. I'm not joking. That's not a lie. That's not a typo. I literally became physically ill. I had to sit in my car for a good 20 minutes. 10 just staring at the number to make sure I wasn't hallucinating and the other 10 to compose myself for the 45 minute drive in rush hour traffic from Burbank back to Hollywood. Needless to say, the rest of that day kind of sucked.

Eventually I got over it, continued my work and it was no big deal, but after seeing how much writers really made I've lost all patience for the "grind". (The grind is a term to describe the process of working in the film/TV business.) I've always been told that this is a business that takes a lot of hardwork, a little bit of luck and even more time. I've only been in a LA a year and some change, almost two in fact and here have been people that have been out here for five, ten, fifteen years before they get a break. Anytime I say "I should be doing this or that", people look at me, laugh and say "Paris, you're doing just fine. For someone that's been out here only a year, you're actually doing quite well." You couldn't tell me that but apparently I'm "doing just fine" so I guess I shouldn't start panicking... yet. But seeing those checks left me with the patience of a child waiting for dessert after peeking into the oven at nearly baked cookies. I mean I can hardly contain myself anymore.

How do I get there? What do I do? What do I need? I've always said, the only shortcut to success is nepotism. Since my uncles and aunts last names are Lay and not Bay, in this business you need to be with a "gatekeeper". You have to be in a union or with an agent. Getting in the union is the ultimate "Catch 22." It's like wanting to start a chicken farm. You go to a farmer and say, "I want to start a chicken farm. I need a chicken. Give me a chicken!" The farmer declares, "You don't need an chicken. You need an egg." "Ok. I need an egg. Where do I get an egg?" He replies, "A chicken of course." To get into the union you have to work a certain amount days and hours on an union show but to work on an union show, YOU NEED TO BE IN THE FUCKING UNION! I think I'll pass on this particular circle jerk thank you.

The other gatekeepers are agents and you can't do shit in this town without one. Agents, in theory, don't get paid until you get paid. So in a way they're agreeing to working for free. Having an agent tells people something about you. It's like the agent saying, "I believe in this person so much I'm welling to work for them for free for a bit because I know it's going to lead to a bunch of money one day." It validates you. And anyone looking to do business with you knows you're serious. (An agent doesn't mean you have talent because there are TONS of shitty people that have agents.)

So now I'm at that stage. Trying to get a gatekeeper. I'm working on a few projects that I really believe in and I've been sending emails and I feel really close but nothing so far. I'll close this with a Facebook status I posted a few weeks back because it fits and I'm lazy and don't feel like coming up with something "poignant" right now.

"This "shit" isn't for the weak of heart or mind. The business of film, especially the creative side here in California, is overcrowded, unrealistic, hypercompetitive and about as "stable" as a nine month old taking their first steps on ice. But the pot at the end of this rainbow is unlike anything I've seen. This business is filled with countless stories of people that finally broke through when it all seemed over.

It's that fact alone that makes me get up everyday and say, "Why not me?" When I lay down tonight I'm going to do what I always do. Thank God for my health, for my family's health. For feeding me and my kids. For job opportunities for my friends and I. And when I wake up I'm gonna think the same thing I did the day before, "Why not me?" "



Friday, July 11, 2014

You Can ALWAYS Go Home


The King Returns


LeBron James is going home. Today he announced his return to the Cleveland Cavilers via a beautifully penned open letter on SI.com. My first feeling, oddly enough, was total shock. Friends had been asking me what I thought he’d do and my gut always said he's going back to Cleveland, but just reading the news was still a bit surprising. Not only does this change the entire landscape of the NBA, but it "rights" one of the greatest "wrongs" in sports. The Decision.

Four years ago when James left, I was one of the few people that didn’t get upset. It was, at the time, the right move. The only problem I had was how he did it. I looked at it like this; doctors, lawyers, contractors, accountants all leave one job to go to another job with better opportunities. Hell, the fry cook from McDonalds goes to Burger King because they pay him fifty cent more! The NBA should be even more mobile than it is.

These guys have 5 to 10 years, 15 if you’re REALLY great, to accomplish the ultimate goal in their profession. If I were a really great NBA player my goal would be to maximize my chances of winning a NBA championship every year. Because no matter how good your season is, only one team goes home truly happy every year. You, me, and everyone else not a professional (keyword PROFESSIONAL as in get paid to do it because it's a job) athlete, has a much longer window to do their given trade. Imagine if you only could do your job for 10 years. What if Steven Spielberg could only have made movies for 10 years? If you had such a small time in a career field, wouldn’t you do everything you could to be in the best possible position to have success?

LeBron did all he could do in Miami. Four years, four straight Finals, and two titles. Miami was a city that more than willingly accepted/welcomed him, but in Cleveland LeBron is beloved. Miami and its fans never really appreciated LeBron or his greatness. Like game six of the 2013 NBA Finals. Half the stadium walks out when the Heat looked like they were down for the count. They, Heat “fans”, quit on the team. They quit on LeBron. If that was game six in Cleveland, they would NEVER do that. This season, in game five when the Spurs were gutting Miami, again the fans dipped. Cleveland never does that. They stay and they cheer a two-time champion that took them to four straight finals. Cleveland would understand that yes they lost, but you stay and give them thanks. That you cheer for a team that gave you such joy.
 
Irving and James will be just two of the four number
one draft picks on the same team that drafted them.
Bennett & Wiggins are the other number one draft picks of the Cavs.
James is a better player, a better man than he was when he left Cleveland. He said as much himself in the letter. I'd even say Cleveland is better because he left. They got THREE number one draft picks because of his exit. And two other lottery picks. I don’t think the Cavs win the title next season. Not sure they can get that far with their current roster. Now if Cleveland is able to land Kevin Love and pair him with James and Kyrie Irving, then yes, they become INSTANT title favorites.


In life you don’t get too many second chances. I mean you just don’t. Once you screw something up, it usually stays that way. But when you're given the chance to do it over. To do it right. When you do, you take advantage of that chance. This is a great day in sports history. Not just for Cleveland but for us all. Sometimes sports is about something more. Something more than money. More than titles even. Sometimes it's about what makes you happy. Sometimes it’s about what’s right. “I have a responsibility to lead, in more ways than one,” James said. “And I take that very serious.” he continued. Outside of Miami, (And even they can't be too upset about this) how can you hate that? How can you be mad at that? How can you be mad at a guy trying to make it right? This is proof that no matter what you do and no matter how you leave, you can always go home.

Wednesday, May 28, 2014

The Twisted Confessions and Atramentous Musings of A "Broke" Writer (The Balance)

I haven’t written one of these in a while. Life gets busy what can I say. “The Balance” is the most important thing to understand as an artist. Of course learning and mastering your chosen craft is instrumental in capturing success, but that expertise is nothing without knowing and finding “The Balance”. Besides the typical internal bullshit, you know doubt, self-loathing, fear, blah, blah, we artistic types have to go through another fight that I've found to be the most important during the creative process.

ALL creatives serve "The Balance". We have no choice. Even if you don’t think you do, you do. Beyoncé, Martin Scorsese, Tom Ford, Jennifer Lawrence, Aaron Sorkin, or whoever else you can think of all serve these three masters. If these people have to respect "The Balance" why shouldn't you?

Whenever I pen anything, I always think about the three factors that make up "The Balance". In no particular order it goes something like this; executives/producers, fans/consumers, and artistic integrity. Again, you can put them in any order you’d like, but as long as you know them you’re on the right path. I don’t put a single letter on the page of a script, treatment or whatever without thinking about these three things. Think of them like the three branches of our government. Executive, Legislative and Judicial. Each branch is equally as important as the next and no branch is more important than the other. It’s all about checks and balances.

1. The executives/producers means thinking about the bosses when you start a project. These are the people that "give the money to MAKE the money". You have to think, "Is this going to make money?" Because if you are trying to pitch something that isn’t, going to make money or lead to money, you’re NEVER going to get it off the ground. There has to be some kind of dollars involved. Remember this is a J-O-B. People have car payments, overpriced pre-school tuitions, mortgages and mistresses. No one is doing this for "love" or for "free". They want to get paid now and if they do work for free, the project has to pay off one day. Sad, but these are facts.

2. Fans/consumers are the lifeblood of this and every other business on the planet. You have to know whom you’re trying to reach. "Who’s going to watch this show?" "Who’s going to listen to this song?" "Who’s going to buy these jeans?" We, artist, do this partly for the feedback. No one wants to perform in an empty Madison Square Garden. Or have a film that’s seen by no one. Good or bad, as an artist you are/should always be looking for a reaction. And if you're not creating with the consumer in mind you're already in a bad spot.

3. Artistic integrity. "Do you the artist, the creator, love your creation?" "Is it something you can be proud of?" "Does it speak to who you are and the message you want to get to the masses?" Or does it make your skin crawl? Do you wish the project never existed? These are the things you have to ask yourself when you are thinking about this part of "The Balance". Because art is forever and you want to be sure that it's something you can live with. 

You can’t do anything without thinking about those three things. Is this going to make my bosses money? Will an audience connect with this? And does this satisfy me creatively as an artist? Making a project that successfully and completely speaks "Yes" to all three is “The Balance.”

Sometimes artist make the mistake of letting "The Balance" get out of wack. Take Kanye West’s Yeezus. This is the example of a project completely serving the artistic integrity of the artist and not his fans or his investors. It sold like crap, by Kanye's previous standards anyway, it had zero marketable singles, and fans hated it. Music, much like film, first and foremost NEEDS to be entertaining. As in, it has to be sonically pleasing to your ears. That doesn’t mean you can’t say something deep/thought provoking. Imagine, What’s Goin’ On, A Change Gon Come, and Like a Rolling Stone are examples of just a few songs that have profound messages, total artistic freedom, but remain enjoyable listens and hit songs. 

There are songs/films/projects so "corporate" they literally sound/look like commercials. Sometimes you as an artist would love to grow, but expectations from the fans and executives forces you to create something that’s more of the same because they (the executives) know they’ll (the fans) eat it up. It’s a real struggle at times to find “The Balance". It’s up to you, the artist, not to cave under the pressure of wanting to satisfy one part of "The Balance" over the rest. But when you do find that sweet spot. Where you create something the fans love, that keeps the execs swimming in cash AND makes you proud, well, there’s NOTHING greater.



Thursday, May 22, 2014

Love the Game, Hate The People

All of these people...are idiots. 
I hate Lakers fans. I hate Clippers fans. I hate Celtics fans. Heat Fans. 49ers fans. Seahawks fans. Cowboys fans.  Lions fans. Yankees fans. Red Sox fans. Cubs fans. Michigan University Football fans. Ohio State fans. Man U fans. Brazilian soccer fans. Any other team’s fans for that matter. I hate them all! Sad part is, I root for several of those teams. The Lakers, Lions, Michigan Wolverines and Cubs are all “my” teams, but I’m really, really starting to hate the fans.

There’s an old Chris Rock joke that goes, “I love Black people but I hate niggas! Boy I hate niggas so much I wish I could join the KKK!” I love sports, but I hate sports fans! Love the games (and I use the word “love” very loosely,) but hate (and I use that word KNOWINGLY) some of the people that watch the games.
 
This guy has "life issues" that Jesus couldn't  fix.
Fan is short for fanatic. Merriam-Webster defines it as “marked by excessive enthusiasm and often intense uncritical devotion. “ Let’s break down this definition. “Excessive enthusiasm” means that even when the team is shitty/average a “fan” is always going to be way too excited about the team. Even as the team yields mediocre results, they'll always think higher of them (the team) than they should. (A’la Cowboy fans, Lakers fans, Yankees fans.)  “Uncritical devotion” means that even when the team and/or players on the team, does something wrong, on or off the field, a fan is unable to render any judgment on their players' or team's wrongdoing. (A’la Kobe/Lakers fans after Colorado. A’la Washington Football Fans that excuse their team's CLEARLY racist nickname. A’la 49ers fan after Aldon Smith does…well anything.)

Even when these guys are dirt bags, cheating, lying, lowdown a-holes, "fans" STILL support them. If the name on the front of the jersey is a team they like, fans will wholeheartedly stand by them like a cheating politician’s wife at one of those apology press conference. Like a person dressed in your favorite team’s gear somehow gives them a pass to commit multiple DUIs, slap their wife/girlfriend and even murder people… allegedly anyway. If these men didn’t run, jump, or throw the ball for a team you liked, then they’d be a public outcast like anyone else would be.
My biggest problem is fans are too stupid to realize they control sports. Not the players, not the owners, the FANS! They, the collective body, don’t realize that without us forking over our hard-earned money for overpriced parking, overpriced hotdogs, overpriced beers and VASTLY overpriced seats, game after game, that teams would be NOTHING. Fans don’t get that the greatest message they could send to a racist owner, or perennially mismanaged franchise, would be leaving their 40,000 plus seat stadium empty on gamenight. Imagine if the Washington Professional Football fans voiced their desire for wanting the team name to be changed by leaving FedEx Field a ghost town on opening Sunday. The name would change from “Redskins” to “Fluffy Love Fairies” by halftime. Fans have that much power but NEVER wield it. (Quick tangent about the Washington football nickname. Ask yourself this; would Dan Snyder, anyone that’s a fan of that team or anyone else feel comfortable addressing a Native American as “Redskin”? Didn’t think so. If you won’t call a person a “Redskin”, why the hell would you call a team that!)

Looking on the outside, I see why it’s so easy to hate us Lakers fans. All we do is talk about "our" 16 titles. Hell, we don’t even have the most which is the most frustrating part about "us" bragging about that fact. (The hated Boston Celtics have 17) If we’re talking about things in a historical context then sure, pound your chest Lakers nation. If someone is stupid enough to want to talk about their team's legacy versus ours, then get at them. Of the ten arguably greatest players ever, four have had on a Lakers jersey at one point in their career. (Magic, Wilt, Kobe, Kareem) But if a person is talking about the here and now, we need to do like all the other fans of hapless franchise right now, (IE Bucks, Cavs, Sixers fans) SHUT THE FUCK UP! We suck.
 
New rule: Unless you weren't ON THE FIELD playing the game,
or you're NOT under the age of 8, you DON'T get to act like THIS.
Look, I understand that sports can be something more. Something greater. Programs like ESPN's 30-for-30 and E-60 or HBO's Real Sports do an awesome job of showcasing how a game can become something more than, well, more than a game. But for the most part fans need to remember, these are grown men playing a game, not fighting a war or curing cancer mind you, PLAYING A GAME that (BARRING YOU HAVING WAGED YOUR HOUSE ON THE OUTCOME, which is a WHOLE OTHER article), has ZERO effect on your life! My brother didn’t speak to me for weeks after the 49ers Vs. Seahawks game. I don’t care what he says, I KNOW THAT GAME HAD AT LEAST SOMETHING TO DO WITH HIS MOOD. You’d think Richard Sherman personally came in our apartment and slapped this negro the way he was acting. You’d think he was on the field in the  number 7 jersey throwing passes the way he was depressed. Nothing outside of something happening to my children, mother, girlfriend, family or friends could get me that upset.

You see, it’s a problem that after Green Bay Packers losses, domestic violence goes up 45% in the state of Wisconsin! Really?! Why do people put such importance on the outcome of a meaningless event, in the grand scheme of life, that they themselves HAVE NO CONTROL OVER? I’ll never understand that. I mean I get “rec league guy” getting all crazy because he’s there, in the moment. on the court. He’s still crazy but at least he’s going crazy over a game he is ACTUALLY INVOLVED IN AND HAS A CHANCE TO EFFECT THE OUTCOME.

Again... idiot.

Maybe it’s because I’m happy and I don’t have to put sports on this weird pedestal a lot of other fans do. I have two great kids. I have great relationships with my friends and family. I think I have the world’s best job. I’m really lucky I guess, because most people don’t have these “luxuries”. I mean, if I hated one or a few of those things in my life, then maybe, and just maybe, I would try to replace it with something else. But I would not replace it with something I couldn’t control like professional sports.


So from here on out, I’m no longer a Lakers “fan” or a Michigan “fan, or a Lions “fan”, or a “fan” of any other sports team. I’m a Lakers “watcher”.  A Lions “viewer”. A Cubs “observer”. Which Merriam defines as “a person who watches or notices something”. Because the only thing that I have an “excessive enthusiasm” for or an “intense uncritical devotion” to is a little girl named Aaliyah and a little boy named Dominic. (Those are my kids.)


Monday, May 5, 2014

The Great Point Guard Myth

These players ARE NOT important!
The greatest lie the devil ever told wasn’t convincing the world that he didn’t exist. No, no, no, Lucifer’s best fib was convincing anyone with a higher basketball knowledge in today’s world that guards, in particular point guards, are important to winning a NBA title. You can’t turn on ESPN, TV or radio without hearing talking heads say the same thing over and over again about the NBA. “It’s a point guard driven league.” “Point guard play is so key this time of year.” “You gotta get point great guard play or it’s over.” Every time I hear this I want to punch my laptop.

The NBA is the easiest league to figure out. That’s why it’s not as popular as the NFL. The flexibility and unpredictably of the NFL is what makes it great. Those things, flexibility and unpredictably, make it a better sport to bet on. Anything can happen. The Houston Texans and Atlanta Falcons are the ultimate case study. In 2012, both were a combined 24-7, won their divisions AND a playoff game. One year later, 8-26 and now at the top of the NFL Draft!

Teams like Philly and Kansas City are the same in reverse. Loser in 2012, but winners in 2013. The players contracts aren’t guaranteed in the NFL so players can come and go almost exclusively on their production level. Look at someone like Albert Haysworth in the NFL and Amar’e Stoudemire in the NBA. Both 32 years old. (Haysworth now Stoudemire in November) Both have been shot years ago athletically but because Haysworth was in the NFL he was cut and hasn’t even sniffed a field since 2011, while Stoudemire is still sucking the life out of the New York Knicks. (Cut to Knicks fans punching their laptops and Stoudemire putting on a ski mask to pick up his check while Gilbert Arenas drives the getaway car.) If the NFL was like the NBA, Haysworth would STILL HAVE TWO MORE SEASONS OF CHECKS COMING TO HIM. (RE-READ THAT SENTENCE!)

You can rebuild and retool on the fly in the NFL. Every year you can start over and do it again. Every team has a REAL SHOT! You don’t even have to have a first round pick to find a star in the NFL. Look at the Seattle Seahawks. Russell Wilson was a third round pick. You rarely, and I mean RARELY, get a great player outside of the top ten in the NBA Draft, much least the second round. That’s the NFL’s greatest advantage over the NBA. Philly football fans can honestly believe in their team’s chances to win a Super Bowl this season. If you’re a Philly basketball fan and you think the Sixers are going to win the NBA, you need to run outside and check the date on a newspaper because you’ve traveled back in time to 1982.

Going into this NBA season we could identify roughly five teams with a REAL chance at the title (Miami, San Antonio, Oklahoma City, Chicago, and Indiana) and ten teams with the same chances as my six-year old son’s youth summer camp team. (LA Lakers, Philadelphia, Milwaukee, Boston, Sacramento, Utah, Orlando, New Orleans, Cleveland and Minnesota.) There are only five guys on the court for each team at one time so naturally the eye test works so much easier in the NBA than the NFL.

Is this man on your team? If not, chances are your team WON'T win it all.
I can’t tell you who the best lineman is in the NFL. I just look at whoever gets voted All-Pro and say “Seems right to me.” I don’t need a NBA expert to tell me LeBron James is the best player. You could bring Martians to Earth with no knowledge of the game of basketball, show them the first half of a Miami game, tell them what numbers are, then ask which player was the best and they’d say the tall one in the number six jersey.

Because the number of players is so small, you could swap LeBron in for the following teams and they have a legit chance to winning the title this season; Clippers, Thunder, Bulls, Portland, Houston, Memphis, Washington, Spurs, and Pacers.You could put James on ANY team they’d all win at least 50 games and make the playoffs. Put Peyton Manning on the Jags and the Jags are STILL gonna suck. Look at how the same roster fell apart after he left Cleveland that first season. This isn’t a best point guard wins league, it’s a best PLAYER wins league. The only time the best point guard wins the title is if the best player just HAPPENS to be a point guard. Lets look at the past champions, their starting point guard and see when best point guard wins the title.

2013-12 Heat: The Immortal Mario Chalmers.
2011 Mavs: Jason “I Became A Coach Two Years Later” Kidd.
2009-10 Lakers: Derek “Never Made an All-Star, All-Anything, NBA Team” Fisher
2008 Celtics: Rajon “At The Time I was the weak link” Rondo
2007 Spurs: Tony “Only One All-Star, not as good as I am now” Parker
2006 Heat: Jason “White Chocolate/Flash In Pan” Williams
2005 Spurs: Tony “Not Good Yet” Parker
2004 Pistons: Chauncey “You Didn’t Know I Was An All-Star Yet” Billups
2003 Spurs: Tony “Even Worst” Parker
2002-00 Lakers: Derek “As Good As I’ll Get And STILL Never Be An All-Star” Fisher
1999 Spurs: Avery “The only individual award I’ll win is Coach Of the Year” Johnson
1998-96 Bulls: Ron “Guess What? I never made an All-Star Either” Harper
1995-94 Rockets: Kenny “More famous for being Barkley’s second banana” Smith
1993-91 Bulls: John “Never made an All-Star” Paxton
1990-89 Pistons: Isiah "FINALLY" Thomas

Magic and Isiah. Last of the great point guards to win NBA Championship


I had to go ALLLL the way back to 1990 for the last “best point guard in the league” NBA title. (And Isiah being the best is debatable cause Magic was still Magic so the best point guard may have not even WON the title those seasons.) And the last best player being a point guard title was the 1988 Lakers with Magic. Having a great point guard is about as important as having a “great” pinky toe. You technically need one, but you’ll live without it.


There is one way to win a title. Have one of the five best players in the league at the time, PLUS at least one active “I can make or made” an All-Star teammate. Jordan was the best but had Pippen. Shaq was the best but had Kobe. Kobe was the best but had Pau. LeBron is the best, but has Wade & Bosh.
 
Serious how the hell did the Mavs win the 2011 title?
Only the 1994 Houston Rockets had the best player do it solo. The 2004 Detroit Pistons were aliens. (Hindsight shows us that Detroit had four All-Stars in Billups, Hamilton, Wallace Ben and Rasheed both that is. But they still should not have been able to win.) And the 2011 Dallas Mavericks themselves still can’t believe they won. 


They didn’t have the best player or an active All-Star sidekick. Dirk was an All-Star but wasn’t even a top five in the league guy at the time. I still have NO clue how they won that title over Miami. You can’t say 2008 Celtics didn't have a top five guy because KG finished second in the MVP so he was clearly one of the five best players.


This isn’t rocket science. This is as easy as it gets. We don’t need to waste time talking about point guard play. All you need from your point guard is a guy who can just keep it together. Someone who doesn’t make a huge mistake in the huge moment. You don’t need the best point guard. You just need the best guy, regardless of position. That “best point guard” moniker has gotten Chris Paul NO TITLES. Derrick Rose, NO TITLE. Steve Nash, NO TITLES. Jason Kidd, NO TITLE in his prime. Gary Payton NO TITLE in his prime.

Want to know if your team is going to win the title? Ask yourself two simple questions. “Does my team have the best player?” “Does my team have one of the five best players?” If the answer to either or both was no, then no. If the answer to one or both was yes, then maybe. And maybe is a hell of a lot better than no.