Showing posts with label Oscars. Show all posts
Showing posts with label Oscars. Show all posts

Sunday, October 20, 2013

12 Years A Slave Review: The Black Schindler's List

Here's your Best Picture of 2013.

It’s over. It’s over and it’s not even close. I just saw the best film of the year. Director Steve McQueen’s 12 Years A Slave is easily, and I mean EASILY, the most powerful film I’ve EVER seen. EVER. Point plank and period. Few words can truly and accurately describe the emotions I felt sitting in that theater last night. Intense, soul crashing anger and rage at White people. Dumfounding confusion at the idea of a "God". How could a people be so loyal and praise a God so much while He lets them suffer so greatly? Overwhelming sorrow and pain for the Blacks that endured slavery. Gut-wrenching shame in my people because even when there were times when Blacks outnumbered whites, WHILE holding axes and knives no less, they did nothing to free themselves. 

Let’s get into the details. 12 Years A Slave is the true story of a Black man that was born free in the northern United States during the 1800s named Solomon Northup. After being lured to Washington D.C. under the promise of a job, Solomon is drugged, kidnapped and sold into slavery. Solomon workes as a slave on various plantations in the south before being freed 12 years later. (Thus the name.) Again, this is a TRUE story. All these events actually happened as the film is based on Solomon’s own memoir, for which the film shares it’s namesake.

I must first warn you by telling you that this film is very, very brutal and definitely uncomfortable to watch at times. As a Black male, I can tell you there were more than a few moments where I almost became physically ill. A few scenes even caused me to have involuntary "verbal" protests. You think Passion of Christ was a hard watch? There is a whipping scene that would make even David Duke (Leader of the Klu Klux Klan) turn away in horror and shame.

Films like Django Unchained are more satirical and cartoonish in their depiction of slavery. The true barbarity and malevolent nature of White people was far more abhorrent and 12 Years A Slave is unapologetically honest with its portrayal of the torture and debasing slaves endured. Scenes of Black men and women standing naked while White men poke and prod them like simple livestock aren’t violent, but the scene is just as unnerving and sickening to watch as bloodier ones. There's a scene where a woman pleads to be sold with her children but is still separated that is particularly difficult to watch. Especially when you remember all these things ACTUALLY happened.


           
Actor Chiwetel Ejiofor gives the most remarkable performance I’ve seen since Daniel Day-Lewis in Lincoln. Like Day-Lewis, there is never a time where you feel as if you’re watching Ejifor “play” a character. He BECOMES Solomon Northup. Ejifor's performance is utterly mesmerizing as Solomon's fear and fight for survival is never forgotten for a single moment when Ejifor is on the screen. You have to remember that Solomon was a freeman. He had never encountered the horrors of slavery or the cruelty of White people. Solomon's reactions are that of a Black person from 2013 placed into a time machine and sent back to 1840. There are so many subtle, but impactful moments in Ejifor’s performance that I could honestly write a whole review on just his acting alone. Ejifor is the readon Michael B. Jordan won’t be winning Best Actor this year for his lead role in this summer’s excellent Fruitvale Station.

Paul Giamatti and Michael Fassbender play two of the most unlikeable villains I've ever seen in a movie. Both make Leonard Dicaprio’s Calvin Candie look like Mother Teresa. Although Giamatti isn’t in the film very long his screen time is still meaningful and effective. However, Fassbender is really the other standout of the film besides Ejifor. He plays an evil plantation owner who uses and twists religious scripture to justify his acts of inhumanity. I’m never going to be as comfortable watching Fassbender ever again and I've had to remind myself that he was just "acting" several times since the film ended. Yes, his performance was that good.

Sarah Paulson does fine work as Fassbender’s equally cruel wife and newcomer Lupita Nyong’o is very impressive as the eyes of “masters” desires as she plays a slave girl named Patsey. Whenever Nyong'o's on the screen she dominates it. Brad Pitt, Paul Dano and Alfre Woodard all turn in fine supporting performances also. Oscar nods will be given to most, as well as to most of the talent behind the camera. McQueen perfectly paces and explores a difficult subject matter with such ease you'd think he's lived through slavery himself. While cinematographer Sean Bobbit's captures the beauty of those grand ole southern plantations, while never shying from showing us, in explicit detail, the unspeakable evil that lurked their grounds.

There are so many moments and things I want to say about this film but I can't. You’d be here all day and so would I. If you’re a White person and you’ve ever wondered why Black men always seem to have a chip on their shoulder, THIS is why. If you've wondered why educated Black men work hard but seem to have an underlining sense of urgency in their actions while still holding a deep anger inside? This is WHY. Why Black people always make EVERYTHING about their race? This is why. This is why the world has so many "Angry Black Man". Even though there isn't a person living that was responsible for the tragedy of slavery, and of course I didn't live this, that doesn't make me and many other African-Americans any less angry about it. If your skin isn’t Black you DON’T UNDERSTAND it and that’s okay.




This film should be seen by everyone, but it absolutely MUST be seen by ALL African-Americans. Specifically African-Americans that weren't conscious adults in the 1960's and 1970's or earlier. Most African-Americans seem to forget what happened in this country so long ago. Most of us seem to think that we’ve always been free to go and learn and work and do as we please. This film acts as a huge reminder of what it use to mean to be Black in this country. And even if I weren’t a Black man I’d say this is the best picture of the year. What Saving Private Ryan is to a World War II vet or what Schindler's List is to a Jewish person, 12 Years A Slave is like that to African-Americans. Like those films, 12 Years A Slave is a hauntingly authentic illustration of a historical event that CAN'T be truly felt without a personal connection to the characters or source material. All who see it will be affected but ONLY a Black person can truly understand the pain that's on the screen and that’s fine.

Monday, February 25, 2013

The Glamorous (A Recap of the 2013 Oscars)

2013 Best Picture Winner, Argo.

It’s really hard to react to something you “technically” didn’t see. Yep, that’s right I didn’t watch this year’s Oscars. I know, I know, but in my defense, I didn’t have cable, so yeah, there’s that. However, I still heard about all of the funny/big/surprise moments as they happened.

That’s the great thing about the Internet and YouTube and Facebook and Twitter. You never miss a moment of major news events happening in the world. Everything and everyone is so connected that I literally stayed on my Facebook and Twitter news feeds and it was like I was watching the show. But since I didn’t “see” the moments happen and they don’t have that “organic” feeling of seeing them live, I don’t feel right telling you my best moment or worst moment or best dressed.  I’ll just give you my biggest winners and losers of the night.

Big Winners

Argo

Affleck still went home a winner.
Argo was the biggest winner of the night simply because it took home the biggest prize and, honestly, it was an easy call. Lincoln lost a ton of steam and the way Argo was sweeping everything else you just knew it was going home with the “Big One”. Besides, I can tell you one thing about Hollywood that I’ve learned to be completely true. We, (And I can say we damn it because I live here and I WORK here.) love to hear about ourselves. Especially the big wigs out here. Hollywood loves great movies about Hollywood. (Cut to the producer of The Artist laughing while holding a Best Picture statue.) And of course it was going to win at least three awards, so I predicted both of Argo's wins in film editing and adapted screenplay. No way it was winning Best Picture without taking home a few other awards in the process.

Christoph Waltz

Waltz is 2 for 2 at the Oscars.
If I were this guy’s agent, I’d be calling Quentin Tarantino right now (Tarantino also had a big night as he won for Best Original Screenplay for Django Unchained.) and ask when and where his next project was. I wouldn’t care if he was asking Waltz to dress in drag and play a Mexican prostitute, I’d make Waltz take the role. Waltz has won twice in the last four years and both times for playing what was essentially the same character. He’s a brilliant actor who seems to shine under Tarantino’s direction and why wouldn’t he. A character actor like Waltz will always perform well when given such juicy dialog and note worthy scenes to work with. This year’s Best Supporting Actor nominee field was the strongest in Oscar history, so if anyone of those guys won, it would have been okay with me. Still, I thought there was no way they would give it to Waltz again, especially for a second Quentin Tarantino film. (I still picked him to win in my office pool. AKA Hedging my bet baby!)

Big Loser

Lincoln

12 Nomination only equaled 2 Wins for Lincoln.


Damn, damn, damn! I knew the movie about freeing black people wasn’t ready for the big time. (That’s a joke.) From having all the momentum in the world a few months ago when it was nominated for twelve awards to going out with such a loud thud last night. I haven’t seen a performance that bad under the big lights since Tom Brady in the 2012 Super Bowl. (I originally had a “male performance” joke about Jimmy Johnson but… yeah…) Daniel Day-Lewis winning for Best Actor was a foregone conclusion, but I really thought it was set up for Spielberg to win another Best Director award. With Affleck and Bigelow missing from the nominees I thought his road to Oscar gold was clear, but with the film losing at every turn to Argo there was no way he was winning it. When a President announces your film and it still doesn’t win, it’s over. You get Lincoln in a theater be it “Ford” or “Nokia” and bad things WILL happen. (Hey I kid, I kid. I love Lincoln. Remember, I’m black, so his picture hangs next to Dr. King’s (not Waltz’ character from Django) and Obama’s. Still too soon huh?)


Bonus Winner (Or Loser)

We have an office Oscar pool at my job and I think I’m doing pretty well. I’m writing this at 10:45 PCT so I’m still not sure if I won. I can’t remember exactly what I picked, but I’m pretty sure I got 16 out of 24 awards right. And I should have gotten at least two more right if I went with my gut or remembered what I said about Lincoln. Production value makes period pieces Paris! So congrats to all the winners and better look next time to the losers. But just like me in my office Oscar pool, it’s just an honor to be in the pot or even be nominated. What the hell am I saying? That’s crazy talk, I wanna win!

Thanks for reading and don't forget to subscribe and share the blog. Join in the discussion by leaving a comment below. Follow me on twitter @ParisLay. Until next time... Enjoy the View!

Thursday, January 10, 2013

All That Glitters...


Academy Awards - Oscars
       On Sunday, February 24, the Academy Awards will be handed out.

A long time ago I realized that predicting who’s going to get nominated for the Oscars is like trying to predict where that little disc in Plinko is going to fall. You can put that sucker in the middle, on the left or the right side and it’s still going to do whatever it wants. I stop trying to predict who’d get nominated years ago. Every year there’s someone/some film that should’ve been nominated that gets left out and someone/some film that shouldn’t win, but it does.

I'll prove it. Let’s play the “do you remember game” shall we. Do you remember Ed Wood? Do you remember Martin Landau in Ed Wood? Even better, do you even remember who the hell Martin Landau is? (“No” would be a totally reasonable answer to all three of those questions by the way.) Do you remember Pulp Fiction? How about Samuel L. Jackson’s role in Pulp Fiction? Not only can you probably name Jackson's character, you can probably give me more than a few lines of dialog from him in that movie. I tell you that to tell you he didn’t win the Oscar that year. Jackson lost best supporting actor to Martin Landau. Neither did Denzel Washington for Malcolm X, but don’t worry, I’ll give you another chance. Do you remember Saving Private Ryan? It’s only the greatest WWII movie ever made and it arguably has the greatest opening sequence in movie history. (When WWII vets of D-Day saw it, the opening beach assault that is, it was said that some started to cry and have flashbacks. Now that's movie making.) Well that movie didn’t win best picture. Neither did Citizen Kane. Too far back you say? Okay, lets do something more "recent". Do you remember The Iron Lady? How about The Help? Do you remember Viola Davis in The Help? Well, Davis lost best actress to Meryl Streep for her lead role in The Iron Lady. And that was just last year!  Needless to say, the Oscars get it wrong sometimes. Really, really wrong. I just find it easier to do the biggest snubs and the biggest surprises of the nominations and then do the same thing to the winners weeks later.

Biggest Snubs

Ben Affleck - Kathryn Bigelow - Argo - Zero Dark Thirty - Oscar Snub
Affleck and Bigelow won't be hearing their names called.
There were a few snubs in the best picture category but I can give the Academy a pass because 2012 was a strong year for films. They have ten slots for this very reason and they STILL only used nine. Skyfall, The Dark Knight Rises, Moonrise Kingdom, and The Master come to mind right off the top of my head as films that could have garnered that tenth slot but I can still give them a pass. It’s not including Ben Affleck and Kathryn Bigelow in the best director block that got me. I get that Bigelow has won before and all that jazz, but you can’t tell me Affleck couldn’t beat out anyone not name Spielberg or Lee for a spot in the best director category this year.

Samuel L. Jackson and Leonardo DiCaprio getting left out of the best supporting actor category was a little shocking as well. Jackson I understand because he did so much "chest-beating" about how he was going to win, that I just knew he wasn’t even getting nominated. I guess DiCaprio’s turn as the sadistic slave owner Calvin Candie was a little too "raw" for the voters. Funny, because the Academy usually loves when a “good guy” plays the bad guy.

Biggest Surprise

Beast of the Southern Wild - film - Quvenzhané Wallis
Quvenzhané Wallis is cute but she shouldn't win an Oscar.
Beast of the Southern Wild getting nominated for anything, much less getting nominated for four out of the big five; best picture, best director, best screenplay and best actress. I saw this film and I got to say it because no one else will, it sucked. I watched it two times with the hope of liking it and still nothing. Sometimes, just because something is “weird” or “offbeat” or “hard to understand” doesn’t mean it’s good. Sometimes, it’s just “weird” “offbeat” and “hard to understand” because it sucks. Also, I thought the film being released so early in the year would hurt it because I didn’t think it had the staying power to remain fresh in the voters’ eyes. I was CLEARLY wrong on that one.

Lincoln-Daniel Day Lewis-film
Greatest "one man carry the team" job since
LeBron led Cleveland to the '07 Finals.
If you ask me, it’s setting up to be a very big year for Lincoln. It has the most nominations with eleven, critics love it and it’s done very well at the box office. (Those eleven nominations can’t hurt its chances of making even more money either.) However, the most nominations doesn’t always guarantee Oscar success. Even if that movie is directed by Steven Spielberg. (See 1986’s The Color Purple.) With Affleck and Bigelow missing, best director seems to be a lock for Spielberg and without Zero Dark Thirty and Argo getting the nod at director, it seems like the best picture award is Lincoln’s to lose as well. (Not always the case as both Lee and Spielberg have walked away with best director wins with their films still losing out on the big prize. Saving Private Ryan to Shakespeare in Love. Brokeback Mountain to Crash.) Best actor is just a “show trial" this year because we all know Day-Lewis is walking away with that one. It’s this year’s “mortal lock/willing to bet my life this guy/girl wins it” category. The toughest category to call is the best supporting actor. It’s going to be really tough to pin down because it’s the first time in any category, that I can remember anyway, anyone could walk away with it and I wouldn’t be upset at all. I have no clue who wins but they all honestly deserve it.

Personally, I would not have wanted to be a voter this year. With so many great films, great filmmakers and great performances in 2012, a lot of them were undoubtedly going to get left out. I’m not going to go line-by-line and award-by-award because it’s pointless. We really don’t have a clue what’s going to happen and years later, some of the winners are going to look "funny" and others down right wrong. You know kind of like that time when everyone thought those “finger mustaches” were all the rage. (Funny.) Or in the 80s when everyone thought doing cocaine was "cool". (Down right wrong.) I say why try to stop a car that has the key broken off in the ignition and no brakes when it’s heading for a cliff. Do what I do; get a stick and a bag of marshmallows, let it crash and burn. Then just sit back, relax, enjoy the flames and have a roasted marshmallow.

Thanks for reading and don't forget to subscribe and share the blog. Join in the discussion by leaving a comment below. Follow me on twitter @ParisLay. Until next time... Enjoy the View!